5/29/2009

The Obama's, the White House and Art

Fellow appraiser Christine Guernsey sent me this Wall Street Journal article on the Obama's and how they plan on decorating the living quarters and public rooms of the White House. The Obama's taste runs away from the traditional and leans decidedly towards modern art and diversity. The article indicates that artists typically displayed in the White House have seen increased interest and increased values.

The Wall Street Journal reports The Obamas are sending ripples through the art world as they put the call out to museums, galleries and private collectors that they’d like to borrow modern art by African-American, Asian, Hispanic and female artists for the White House. In a sharp departure from the 19th-century still lifes, pastorals and portraits that dominate the White House’s public rooms, they are choosing bold, abstract art works.

The overhaul is an important event for the art market. The Obamas’ art choices could affect the market values of the works and artists they decide to display. Museums and collectors have been moving quickly to offer up works for inclusion in the iconic space.

The article continues Collectors say the art picks by the Obamas will likely affect the artists’ market values—or at least raise their profiles. After George W. Bush displayed El Paso, Texas-born artist Tom Lea’s “Rio Grande,” a photorealistic view of a cactus set against gray clouds, in the Oval Office, the price of the artist’s paintings shot up roughly 300%, says Adair Margo, owner of an El Paso gallery that sells Mr. Lea’s work. (Mr. Lea passed away in 2001, which also boosted the value of his work.)

The Obamas’ interest in modern art began before they moved to Washington. The couple’s Hyde Park home featured modern art and black-and-white photographs, according to several Chicago friends. On one of their first dates, Mr. Obama took Michelle Robinson to the Art Institute of Chicago.

A White House spokeswoman says the Obamas enjoy all types of art but want to “round out the permanent collection” and “give new voices” to modern American artists of all races and backgrounds.

To read the full WSJ article, click HERE.

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