7/30/2009

More Distrubing News From London

The other week I posted on the AW Blog about an Art Newspaper article on the reduction and closure of British government funded cultural material conservation programs (click HERE to read). Now, the Art Newspaper is running an article on the possible future reduction in viewing times of several important image archives for cultural property. In addition to reduced viewing periods, the image libraries may not be accepting and cataloging new images. The article states, the cuts have not been finalized, but things appear to be heading in the wrong direction.

This is a real shame, and I am surprised by the British government in reducing budgets for cultural property with possible historical significance. It seems so uncivilized coming from the Brits.

The Art Newspaper states The Courtauld Institute in London is considering drastic cuts to its three archives of images, including the Witt Library. From September, they would only open one day a week and effectively cease to collect. This proposal is causing great concern amongst art historians, as well as the art trade, since it is a major resource.

Cost-cutting lies behind the proposal, and the Courtauld is concerned about the subsidy involved in administering and adding to the collections (Witt Library, Conway Library and Photographic Survey).

The article continues The Witt Library holds around two million photographs and reproductions of paintings that are pasted onto thin card and stored in file boxes, classified by national school, then artist, and finally subdivided by iconography. Covering the period from 1200AD to the present, 70,000 artists are represented. The library’s origins go back to the image collection begun by Sir Robert Witt, who bequeathed it to the Courtauld in 1952.

The Conway Library is a similar collection, covering architecture, sculpture and some decorative art. Begun by Lord Conway, it was donated to the Courtauld in 1932 and now comprises around one million images.

The Photographic Survey records paintings, works on paper and sculptures in private historic collections (mainly those of aristocratic families) in England, Wales and Ireland. It began in the early 1950s, in association with New York’s Frick Art Reference Library, and now covers nearly 600 collections.

To read the full Art Newspaper article, click HERE.

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