Fellow appraiser and ISA Board member Selma Paul, ISA CAPP sent me a good article from the NY Times on the discovery of the artist who was supplying fakes to art dealer Glafira Rosales who sold many to the Knoedler. Federal authorities say there were 63 works, which brought $80 million. The artist who was trained in several artistic disciplines sold his works on the streets in the 1990s. The article points out the artist was only paid several thousand dollars for each painting. The last sentence of the block quote below should be rather scary for many art authenticators and appraisers ("How imitations of the most heralded Abstract Expressionists by a complete unknown could have fooled connoisseurs and clients remains a mystery").
The NY Times reports
Source: The NY TimesBut federal prosecutors say that most, if not all, of the 63 ballyhooed works — which fetched more than $80 million in sales — were painted in a home and garage in Queens by one unusually talented but unknown artist who was paid only a few thousand dollars apiece for his handiworks.
Authorities did not name or charge the painter and provided few identifying details except to say he had trained at a Manhattan art school in a variety of disciplines including painting, drawing and lithography. He was selling his work on the streets of New York in the early 1990s, they said, when he was spotted by a Chelsea art dealer who helped convert his work into one of the most audacious art frauds in recent memory.
The new details about the man said to have created the fakes were contained in a superseding indictment, handed up Wednesday against one of the co-conspirators, Glafira Rosales, an obscure dealer from Long Island who was arrested after a lengthy Federal Bureau of Investigation inquiry. She has been charged with wire fraud and money laundering in connection to what authorities have called a scam, but her boyfriend, alleged to be the other co-conspirator who discovered the painter, has not been charged.
Investigators say Ms. Rosales sold 40 of the counterfeit works through Knoedler & Company, a venerable Upper East Side gallery that took in about $63 million from their sale. The gallery, which abruptly closed in November 2011, kept $43 million of that sum, and paid Ms. Rosales $20 million. Fakes sold through a second Manhattan dealer, Julian Weissman, brought in another $17 million, according to the indictment.
Meanwhile, the painter earned $5,400 for a painting in December 2005 and $7,000 for another in February 2008, the indictment said.
Ms. Rosales has pleaded not guilty and was released on bail earlier this week. Knoedler, its former president Ann Freedman, and Mr. Weissman have repeatedly said they believed the works they sold had been authentic.
How imitations of the most heralded Abstract Expressionists by a complete unknown could have fooled connoisseurs and clients remains a mystery.
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