Christie's stated about the sale
Marc Porter, Chairman of Christie’s Americas, commented: “This was a very strong sale,with deep bidding from a diverse group of collectors representing North and South America, Europe and Asia. The runaway success of Back IV, a monumental bronze from Matisse’s most celebrated series, proved yet again that there is tremendous appetite among collectors for rare and important works from private collections. We are pleased with the results achieved for the three private collections offered in tonight’s sale, including the world record-setting Gris, a triumvirate of Légers, and a fantastic group of Seurat drawings.”
Henri Matisse’s monumental sculpture Nu de dos, 4 état (Back IV) was the night’s top lot, setting a record for the artist at $48,802,500 (£30,257,550/€34,649,775) — surpassing its top estimate of $35 million. The occasion marked the first time in history that a work from the artist’s celebrated Back series has ever come to auction.
Kelly Crow report in the Wall Street Journal about the sale
Discretionary sellers played a key role in Christie's super-sized, two-hour sale. A quartet of works offered up by financier Henry Kravis were estimated to sell for at least $38 million but ultimately fetched $50 million combined. The highlight of Mr. Kravis's group was Juan Gris's still life from 1913, "Violin and Guitar," which sold for a record $28.6 million to an anonymous European collector bidding over the telephone. Another work in the group, Joan Miro's 1938 "Air," sold to London dealer Alan Hobart for $10.3 million.
Yet Christie's had to wrangle a bit to sell a suite of five works by Postimpressionist Georges Seurat that were put up for sale by an anonymous French collector. The best of the Seurat drawings was a $3.3 million, black-crayon depiction of a woman in a creamy, fitted jacket and black ruffled skirt, "The Promenade."
New York dealer John Driscoll paid $2 million for another Seurat, a six-inch study the artist did in preparation for his pointillist masterpiece, "A Sunday on La Grand Jatte," which now hangs in the Art Institute of Chicago. Mr. Driscoll said he was "surprised" he won after only placing a single bid, considering the study's historic link: "Works with sex appeal seem to be selling better right now."
To read the WSJ article, click HERE.
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